Adobe Ultra CS3
Adobe Ultra is tool for keying, compositing and virtual set work derived
for the most part from technology from the Adobe acquisition of Serious
Magic.
It’s available as part of Production Premium and Master Collection
editions of Adobe CS3. However, on both versions it runs on Windows only
-- and unlike with the also-PC-only OnLocation Adobe has chosen not to
include it in the Mac version of its suites. This is a shame as Intel
Mac users could run it through Boot Camp or Parallels – though this is
hardly an ideal solution.
On the first encounter, Ultra looks a fairly slick and comprehensive
package. It’s simple to implement a virtual set from the supplied
library, then add in some keyed footage or work from a live feed.
Ultra has some proprietary offerings scattered among the Tabs – such as
the ability to add shadows and pan and track through a still image or
clip. Plus-90 mode allows you to generate footage from a Standard-def
camera that can be composited into HD scenes – basically you shoot with
the camera rotated at 90 degrees.
The keying tab offers a GPU Boost button for rapid increases to keying
speed if you have a powerful enough graphics board – our GeForce880 GTX
SLI setup proved the point with almost instantaneous results.
The quality of the input clip is all important – like most compositors
Ultra tends to be unforgiving with anything but a perfectly keyed out
clip, so results will be better if the background in the input clip is
well saturated and well lit to begin with.
However, for clips that don’t deliver a decent key, help is at hand in
the form of the Pre-Processing controls on the Colors tab. This offers
controls to increase saturation of the background colour to make it more
keyable, but can have adverse side effect on the colours in the main
subject.
In practice, we had to do quite a bit of fiddling with the colour
controls to clean up one such clip, but found the Shrink Matte controls
in the Keyer tab to be of significant help too.
Though Ultra is not a unique selling point for the CS3 suites, it offers
quick integration with Premiere and After Effects, it’s simple to use
and so is definitely worth experimenting with. It would be handy for
knocking out a quick pop promo or business presentation, though it
probably wouldn’t fit a quality broadcast setup.
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